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By Karev | Heritage Hip-Hop | Heritagehiphop.com

Janétza Miranda is nominated for Solo Project of the Year at the 2026 Heritage Hip-Hop Awards with her album Badmuthafucka.
Janétza Miranda is nominated for Solo Project of the Year at the 2026 Heritage Hip-Hop Awards with her album Badmuthafucka.

Every year there is one nominee whose story reminds you why the culture is bigger than any one sound. This year that nominee is from Brick City.

Janétza Miranda is a Newark artist who combines the traditions of Jazz, Soul, Rhythm & Blues, Bolero, Bomba y Plena, Hip-Hop, and more into a remixed sonic delight of vocalizations and rhythmic proclamations that transport you to a space that is suspended in time. Read that list of traditions again, because that is not genre-hopping. That is heritage. A Puerto Rican girl from Newark whose first language is Spanish, carrying the sounds of her people and the sounds of her city in the same breath. When we say the Heritage Hip-Hop Awards celebrates different parts of urban culture from different parts of the world coming together, Janétza Miranda is what that looks like in one human being.


Her story starts where so many Newark stories start — in a moment where the city needed something. Two months after 9/11, her school principal asked her to sing "The Prayer" at a fundraiser the school refused to cancel, because the community needed to gather and needed to reflect. She learned Italian for the performance. Her mother and father sat front row, and Newark's Mayor at the time, Sharpe James, commended her when it was done. A voice asked to console a grieving city before she was even grown. Remember that, because it tells you everything about what came next.


She went on to study Music Education with a focus on voice, trained in opera, and when college became unaffordable she did what Newark does — she kept working. She landed at Skippers, the legendary jazz spot in Newark, where she became known as "the singing waitress," bringing you your food and then stepping up to sing Billie Holiday. At Skippers she learned jazz in the room with giants — Amiri and Amina Baraka, Stanley Jordan, Charles Bradley, George Benson. From there came the bands, her own group Miss Pop and the Bad Touch, and stages most artists only dream about: Carnegie Hall, Gotham Hall, Cipriani, The Cutting Room, the Count Basie Theatre, NJPAC Sounds of the City, Milan in Italy, and International Jazz Day in Luanda, Angola two years running. She traveled the nation for NBC's The Voice and made the Top 18 out of 60,000 artists who auditioned. She is in the city of Newark's own tourism video alongside Mayor Ras J. Baraka. And once, singing "Contigo en la Distancia" with a 40-piece orchestra at the top of the Rockefeller building, Luis Miguel himself — the originator — came up to her afterward and told her that her voice healed his heart.


Healed. That word follows her everywhere, and she knows it. Janétza will tell you her brand is healing — not the brand she set out to create, but the one the times demanded. During the pandemic she picked up her guitar and sang live on Instagram at 3:33, giving her music away so people stuck in the house could get through it together. She sits with organizations like WhyHunger talking about feeding people through food and through music, because for her those are the same work. This is a humanitarian with a catalog, not a catalog with a charity line in the bio.


Badmuthafucka by Janetza Miranda nominated for Project of The Year for the 2026 Heritage Hip-Hop Awards
Badmuthafucka by Janetza Miranda nominated for Project of The Year for the 2026 Heritage Hip-Hop Awards

So do not let the album title fool you — earn it she did. Badmuthafucka is nominated for Solo Project of the Year at the 2026 Heritage Hip-Hop Awards, and the title is the story. A voice trained in opera and raised on bolero, seasoned in a Newark jazz room, tested on national television, blessed by legends on two continents — walking into a Hip-Hop awards show and standing in a category with five nominees. That takes exactly what the title says it takes. Newark has always produced artists who cannot be put in a box, and Janétza Miranda is cut from that same cloth. This show streams from the culture Heritage Hip-Hop was built in, and this year the culture gets to celebrate one of Brick City's own.


The Heritage Hip-Hop Awards streams live Saturday, August 29, 2026 at 8 PM on YouTube at www.youtube.com/HeritageHipHop, hosted by The Bad Seed, Johnny Dough, Karev, and DJ Big A. Have you sat with Badmuthafucka yet? Run it today, follow her on Instagram at @jane.tza, and catch her Voices At The Root conversation with WhyHunger to understand the woman behind the voice. Then pull up on August 29 and be in the chat repping Brick City when her name gets called. Salute to Janétza Miranda for carrying Newark, Puerto Rico, and the healing power of music every time she opens her mouth to sing. Hip-Hop is to be valued and able to grow representing God's people. God's people is his Heritage and his Heritage is Hip-Hop.


 
 
 


Once in a lifetime does an artist find a producer that can challenge them to be great. Once in a lifetime do we find a genius in their craft that challenges the world we know to expand and grow due to our lack of experience in something we love. Very few people like that come our way and we awe at their creative ability to capture our souls with their artistry of life. Maybe it's the way Mike or Kobe played ball that made people want to go to the extreme to take over a sport. Maybe the artistry for expression is what made Odell Beckham Jr. capture the hearts of so many young football stars to never hide their love of personality. Maybe it is the way Prince or Michael Jackson moved the world with soulful music that opened up the possibility to people that music was for more than our ears, it is also for the soul. Maybe it is Timbaland, Dr. Dre, Pete Rock and so many other producers in the Hip-Hop culture that taught us how to make music from sound that inspired us to move our feet and the crowd over drum patterns and loops that caused us to make our own sound for the world to hear. Yet, who had the scope to not only make new sounds and beats but to create a world with their music?


Welcome to the reality and art of Stan Ipkiss the founder of Headphone Therapy. After producing for other artists, Mr. Ipkiss has put out his own instrumental album that is more than a Hip-Hop beat album it is music for the soul not just for the inner city culture of Hip-Hop. In this world we have what so many producers in today's music lack, harmony and the ability to score and compose. In music today we have beats that are dry and lack artistry. The beats of today's music is just sounds with no soul or harmony in it. A lot of today's producers are just putting vibes together and the mindless are bobbing their heads to a pattern. Stan Ipkiss has not only broken that chain but has composed a soundtrack to the emotion of music. There are beats for the Hip-Hop kid, the house music mind, and for the anime generation all here on his contribution to keeping real music alive. If you rap, sing, or love to listen to music as you go through your day this album has more than 1 selection for you to enjoy and listen to. 326 is an album that brings music lovers back to the love that they lost and will inspire the next generation of music composers and beat producers to not only step their games up. It will challenge them to create a world of music instead of catchy beats and hooks if they are paying attention to the delivery of the tracks and their names. Stan Ipkiss will be a name you will know for many years to come and by listening to this album you will thirst and hunger for more music to be delivered by. Maybe it is the the way Stan Ipkiss saves his best to inspire that will take music to its next level one beat at a time. Maybe it is your willingness to hear it that can bring the best out of you.


 
 
 
  • Writer: Karev
    Karev
  • Dec 2, 2018
  • 2 min read


In music the male and female group dynamic is not often appreciated until we do not see it for awhile. As complimentary pieces that express creation, when this dynamic happens, we see the greatness of expression that comes with it. When Marvin and Tammi sung together majesty was created and from their we have seen few make the same magic in R&B music and also in Hip-Hop as well. In Hip-Hop recently Jay-Z and Beyonce' (The Carters), released their debut couple album to good reviews an the thing that people never talked about with the project because they looked for cheating rumors and stories was their chemistry. When Avant and Keke Wyatt sung their chemistry made their songs great. When Mary J Blidge and Method Man did All I need their creative talents and their chemistry made their hit a classic. Now we have a group named The Chemistry and they deliver where some have not.


The Chemistry is composed of The Nu and Realeyez. A singer song writer and an MC and poet. Together they are crafting their debut album Sex, Love and Lust which is sure to make peoples attention focus but the genius that they hit on their project is the complication of love and how to express such things to the male and female audience. After going to their showcase/Listening party I can tell you The Chemistry will be something special to ALL Music Lovers. The Nu brings a smooth style of song to the track while Realeyez brings a clear clarity vocally. They both back each bring something that a lot of people miss in collaborative efforts, complimentary talent which equals, Chemistry.


After going to their showcase of their upcoming up coming debut release "Sex, Love, Lust", I am pleased to say music is alive and we will receive a mixture of R&B, Hip-Hop, Jazz, Soul music and more importantly reality and truth within them. We look forward to hearing and seeing more of this group and leave you with links to their music. Look for more on The Chemistry on Heritage Hip-Hop and www.HeritageHipHop.com


Hello Video Link: https://www.youtube.com/watch?v=oJO7ZNE5yik

The Chemistry SoundCloud Link: https://soundcloud.com/thechemistrysdope




 
 
 
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